A Movement in Every Direction: Legacies of the Great Migration

I recently had the privilege to be one of the first people to experience an exhibit at the Mississippi Museum of Art, in Jackson, MS. Intrigued, excited, curious to learn more, I accepted the invitation and hit the road. The entire exhibit left me speechless. 

The Great Migration had its first beginnings in 1915. A mass exodus of Black Americans from the South to the North, East, West sparked cultural revolutions and brought along series of histories and ancestral stories that have continued to contribute to the generations today. Many are steeped in heartbreak, tragedy, pain, confusion. Homes wrenched and torn apart, individuals and full communities terrorized by Jim Crow laws, lynchings, and systemic racism. Yet still then, even there, life still found a way. Beautiful stories emerged, new lives and reawakenings were grasped onto. Land was bought and roots were planted, family grown in a new era. 

For “A Movement in Every Direction: Legacies of the Great Migration,” 12 Black artists were given space and time to think about the lasting impact that the Great Migration had on the generations in their family, and also themselves. Familial research, conversations, access to archives led to previously unknown family histories, emotional digging and creative interpretation. 

The exhibit is stunning, overwhelming. None of these are my story to tell, only to share that you need to hear them, see, experience. I went in to be curious, soak in, learn from them in a classroom different than the desked walls of our youth. 

I got emotional, as one does. The one that got me was a series of letters and photographs from Larry W. Cook, his exploring of intergenerational fatherhood, and the impact of leaving. The line, “I needed you then and I need you now,” ripped my heart. I attempted to go find a quiet corner to wipe my tears and stumbled into the Carrie Mae Weems exhibit, her video installation of the story of her great grandfather who was attacked by a white mob, left for dead, escaped and his journey of following the North Star to Chicago, and how his leaving affected the entire family and generations to follow.

The genius, beauty, and haunting 3 part video series, A House Called Florida, by Allison Janae Hamilton, had me mesmerized, entranced with her portrayal of social, political and environmental issues captured in a surrealist imagery. 

And so many more. But I need you to go immerse yourself, once again, these are not my stories to tell. 

Each one had me in its clutches, losing time, eyes imploring over every detail and taking in each part of the story. Somewhere I could keep going back to and spending hours. Stories so varied from my own, my heart breaking as an empath only being able to imagine the emotional and continued cost. 

Before December, I had never heard of the Great Migration. Maybe it had been spoken about during a history class, but the gloss over was apparent. An entire section of history has opened, with resources available and stories told in achingly beautiful ways. 

Make a trip to Jackson, MS. Go to the MMA, visit its other museums, eat at the local restaurants and find a souvenir from a local shop or artisan. Make history move. 

Wild Wednesday Teaser

“Do not strive to uncover answers: they cannot be given to you because you have not been able to live them. And what matters is to live everything. Live the questions for now.” - Letters to a Young Poet.

Every major decision in my life has been made following a feeling, a knowing. My parents will say that it’s God telling me to do something, I will expand that and say that I’m following intuition, perhaps spiritually enhanced. From decisions made throughout the day or major life changes, trusting it has proven its legitimacy a thousand times over, especially when I ignore it or think it could be wrong. That bites me in the ass every single time.

That intuition is why I’ve chosen majors, moved, jobs, friends, good/bad decisions, dropping a random note in a mailbox or a care basket off to a friend. It’s why I’ve waited, or charged forward. Said “yes” to everything sprinkled with the occasional “no”.

I’ll share a secret with you. Since I was young I’ve seen this and more, dreams I thought would only stay in the clouds but now are floating within reach and as much as I show online, behind the scenes I’ve been working on secrets for years. But, much like the quote at the top, I knew I had to be quiet, and wait, and live. There were experiences to experience, projects to build, people to meet and life to live that would all need to be moving to make it happen. I wasn’t quite ready, there had to be more growth and shedding of ego and self and It would take community, so many experiments, soul crushing events and building back ups, time alone, time filled, and light seeking everything.

So now has come the time to listen to it again.

A morning in June. I woke up and felt the knowing, the feeling like if I didn’t do what was inside my head I was going to throw up. Then the pieces began to gather together, the people started to show up, my force of nature friends arrived and gave themselves to my service. Speechless.

So the first project is being released. It’s fun, quippy, meant to be laughed at, taken somewhat seriously, shot beautifully, enjoyed and whatever. It’s out of my head, that’s the biggest part. Here’s a teaser that doesn’t explain at all what I’m doing at all but it will keep your interested piqued until tomorrow.

To the follow throughers, the people who dream and do, the ones who have an insatiable need to get the ideas out of their head. Cheers and Amen.

Video: Ashtin Paige / Editing: Angell Foster / Location: Bloomsbury Farm